Enshrined in sumptuous metal, ivory, or stone containers, relics formed an important physical and spiritual bond between heaven and earth, linking humankind to their saintly advocates in heaven. As they were carried in liturgical processions, used in imperial ceremonies, and called upon in legal disputes and crises, relics—and, by extension, their precious containers and built shrines—provided a visible link between the living and the venerated dead. Saints and Sacred Matter explores the embodied aspects of the divine—physical remains of holy men and women and objects associated with them. Contributors explore how those remains, or relics, linked the past and present with an imagined future. Many of the chapters focus on the Christian context, both East and West, where relics testified to Christ’s presence and ministry on earth and established a powerful connection between God and humans after his resurrection. Other religious traditions from the ancient world such as Judaism and Islam are frequently thought to have had no relics, but contributions to this volume show that Muslims and Jews too had a veneration for the corporeal that is comparable to that of their Christian counterparts.

A collection of medieval tales of Byzantine saints, including some rejected by the Church, translated into English for the first time.

The legends collected in Saints at the Limits, despite sometimes being viewed with suspicion by the Church, fascinated Christians during the Middle Ages—as related cults, multiple retellings, and contemporary translations attest. Their protagonists span the entire spectrum of Byzantine society, including foreigners, soldiers, ascetics, lustful women, beggars, and the sons and daughters of rulers. They travel to exotic lands, perform outlandish miracles, suffer extraordinary violence, reject family ties, save cities, destroy absolute rulers, and discover the divine. Some saints, like Markos the Athenian, are forgotten nowadays; others, like Saint George the Great Martyr, still command a wide appeal. Each, however, negotiates the limits of Byzantine imagination: the borders that separate the powerful from the outcasts, the real from the imaginary, the human from the beyond human. These stories, edited in Greek and translated into English here for the first time, continue to resonate with readers seeking to understand universal human fears and desires in their Byzantine guise.

A comprehensive military history of one of the most important empires of Late Antiquity

The Sasanian Empire at War: Persia, Rome, and the Rise of Islam, 224–651 is the first comprehensive study in English examining war and society in one of the most important empires in world history: the Persian Empire of 224-651 AD, ruled by the Sasanian clan. At its height the Sasanians governed lands from the Indus River in the east to Egypt and the Mediterranean in the west. Adversaries of Rome, they also faced grave challenges from nomadic powers from Central Asia, notably the Huns and Turks. The Sasanians were able to maintain their empire for hundreds of years through nearly constant warfare, but when their expansion was checked in the north by the Byzantines at Constantinople in 626, and with the Muslim invasions to their south and west beginning in the 630s, the empire could no longer be sustained, and it finally collapsed.

In this book, Michael J. Decker examines Sasanian warfare, including military capabilities, major confrontations, organization and weapons of the Persian army. In addition to providing a comprehensive overview of the conflicts that marked this vital period in the history of Eurasia, The Sasanian Empire at War challenges long cherished notions of the inferiority of Sasanian military capabilities and renders a new image of a sophisticated, confident culture astride the heart of Eurasia at the end of the ancient world and birth of the Silk Road. Persian arms were among the many features of their culture that drew widespread admiration and was one of the keys to the survival of Iranian culture beyond the Arab Conquest and into the present day.

An intriguing look at secrecy during the Byzantine Empire and the role of the art historian in seeking truth.

Secrecy has played a role throughout human history and continues to capture the popular imagination. Some of the most seductive aspects of the Byzantine Empire—such as the relics of the imperial palace and the military uses of Greek fire—have been shrouded in mystery for centuries. This book provides a brief history of secrecy in Byzantium and examines the role of the art historian in uncovering the truth, demonstrating how visual evidence can not only reveal new findings but also purposely conceal answers.

Art historians face many challenges in their search for hidden knowledge, including accessing accounts preserved in fragmentary glimpses and reconciling how practices of speculation and reconstruction result in different, and sometimes contradictory, understandings. With pressing urgency, this book asks scholars to consider their role in articulating the stories of marginalized people, particularly for queer and trans history.

At the core of these investigations is the quest to discover how clandestine knowledge was transmitted and how relationships were strengthened by collective secret keeping, as well as how concealment is used as a strategy for exercising power. With insights into the religious, imperial, military, and cultural uses of secrecy, this book offers an intriguing look at the ways secrecy manifested itself during the Byzantine Empire and the implications it has for the issues we face today.

The “Parangelmata Poliorcetica” and the “Geodesia,” two Greek treatises on the construction of devices for siege warfare, are products of 10th-century Byzantium. The texts are presented here in critical editions based, for the first time, on the archetype manuscript Vaticanus graecus 1605 and accompanied by an English translation and commentary. The illustrations, reproduced in this edition, go beyond the traditional ground plans of the time and show elevations to represent finished devices in action.

A collection of ancient Byzantine hymns featuring women as pivotal characters, now in a new translation.

At a time when Christianity was becoming the dominant religion in the Byzantine Roman Empire, Romanos the Melodist (ca. 485–565) was a composer of songs for festivals and rituals in late antique Constantinople. Most of his songs include dramatic dialogues or monologues woven with imagery from ordinary life, and his name became inseparably tied to the kontakion, a genre of dramatic hymn. Later Byzantine religious poets enthusiastically praised his creative virtuosity and a legend claimed that Romanos’s inspiration came directly from the Virgin Mary herself.

Songs about Women contains eighteen works related to the liturgical calendar that feature important female characters, many portrayed as models for Christian life. They appear as heroines and villains, saints and sinners, often as transgressive and bold. Romanos’s songs offer intriguing perspectives on gender ideals and women’s roles in the early Byzantine world.

This edition presents a new translation of the Byzantine Greek texts into English.

The military achievements of the emperors Nikephoros Phokas, John Tzimiskes, and Basil II brought the Byzantine Empire to the height of its power by the early eleventh century. This volume presents new editions and translations of two military treatises—the Praecepta militaria of Nikephoros Phokas and the revised version included in the Taktika of Nikephoros Ouranos—outlining the tactical system used by Byzantine armies in campaigns against Muslim forces in Cilicia and Syria. Products of experienced soldiers, the texts offer a realistic view of Byzantine warfare and reveal the sophistication of Byzantine military science.

Eric McGeer places the treatises in military historical context; explores the factors that led the Byzantine army to fight as it did; and investigates morale, discipline, and leadership—all of which determined the difference between failure and success.

Although ethnicity is a modern concept and would not have been recognized by the Byzantines, throughout its history the Byzantine Empire was a multi-ethnic state. The papers in this volume examine questions of the uniformity and separateness of the various Byzantine populations and the degree and mechanisms of acculturation. The cultural uniformity that the Byzantine church and state pursued through Orthodoxy and the Greek language did not erase all distinct traits of different groups--nor was that their intention. This volume provides examples of the multiple forms of integration and resistance to integration in a society that for a long time functioned as an integral state and an articulated society that accepted diversity.